Categories: English Classical Era Classical Composers.
Charles Burney was born 7 April 1726 at Raven Street, Shrewsbury, the fourth of six children of James Macburney (1678–1749), a musician, dancer and portrait painter, and his second wife Ann (nee Cooper) (c. 1690–1775). In childhood he and a brother, Richard (1723–1792), were for unknown reasons sent to the care of a "Nurse Ball" at nearby Condover, where they lived until 1739. He began formal education at Shrewsbury School in 1737 and was later sent in 1739 to The King's School, Chester, where his father then lived and worked.
His first music master was a Mr Baker, the cathedral organist, and a pupil of Dr John Blow. Returning to Shrewsbury at the age of 15, Burney continued his musical studies for three years under his half-brother, James Burney, organist of St Mary's Church, and was then sent to London as a pupil of Dr Thomas Arne for three years.] Burney wrote some music for Thomson's Alfred, which was produced at Drury Lane Theatre on 30 March 1745.
In 1749 he was appointed organist of St Dionis Backchurch, Fenchurch Street, with a salary of £30 a year. He was also engaged to take the harpsichord in the "New Concerts" then recently established at the King's Arms, Cornhill. It was for his health that he went in 1751 to Lynn Regis in Norfolk, where he was elected organist, with an annual salary of £100. He lived there for nine years. During that time he began to entertain the idea of writing a general history of music. His Ode for St Cecilia's Day was performed at Ranelagh Gardens in 1759.
In 1749, while working as an organist and harpsichordist in London, Charles married Esther Sleepe. The couple had six children: Esther or Hetty (who later became Mrs Burney on marrying her cousin Edward), the explorer James Burney, the celebrated writer Fanny Burney, Susan (Susy), Charlotte (later Mrs Francis), and Charles Burney, a classicist and school headmaster. As vividly recorded by Fanny, the family moved in a lively cultural circle in London, which included the portrait painter Sir Joshua Reynolds, the lexicographer Samuel Johnson, the playwright Richard Brinsley Sheridan, the essayist Edmund Burke and the MP for Southwark Henry Thrale, whose wife Hester Thrale was a close friend of Fanny. This group is illustrated in the painting 'A literary party at Sir Joshua Reynolds's'.
In 1760 he returned to London in good health and with a young family. His eldest child, Esther, a girl of eight, surprised the public with her achievements as a harpsichord player. The concertos for harpsichord which Burney published soon after his return to London were much admired. In 1766 he produced, at Drury Lane, a translation and adaptation of Jean-Jacques Rousseau's opera Le Devin du village, under the title of The Cunning Man.
Charles's first wife Esther died in 1761. In 1769 he was married a second time, to Elizabeth Allen (Mrs Stephen Allen) of Lynn. From this union he had a son, Richard (who appears to have been born before the marriage, in 1768), and a daughter, Sarah Burney, who became a novelist. The University of Oxford honoured Burney, on 23 June 1769, with the degrees of Bachelor and Doctor of Music, and his own work was performed. This consisted of an anthem, with an overture, solos, recitatives and choruses, accompanied by instruments, besides a vocal anthem in eight parts, which was not performed. In 1769 he published An essay towards a history of the principal comets that have appeared since 1742.
Amidst his various professional avocations, Burney never lost sight of his main project, his History of Music. He decided to travel abroad and collect materials that could not be found in Britain. He left London in June 1770, carrying numerous letters of introduction, and travelled to Paris, Geneva, Turin, Milan, Padua, Venice, Bologna, Florence, Rome and Naples. The results of his observations were published in a well-received book, The Present State of Music in France and Italy (1771). In July 1772 Burney again visited the continent to do further research, and on his return to London published an account of his tour under the title The Present State of Music in Germany, the Netherlands and United Provinces (1773). In 1773 he was elected a fellow of the Royal Society. In 1776 appeared the first volume (in quarto) of Burney's long-projected History of Music. In 1782 Burney published his second volume; and in 1789 the third and fourth.
Though criticized by Forkel in Germany and by the Spanish ex-Jesuit, Requeno, who in his Saggj sul Ristabilimento dell' Arte Armonica de' Greci e Romani Canton (Parma, 1798) attacks Burney's account of ancient Greek music, and calls him lo scompigliato Burney, the History of Music was generally well received. The fourth volume covers the birth and development of opera and the musical scene in England in Burney's time.]
Burney's first tour was translated into German by Ebeling, and printed at Hamburg in 1772. His second tour, translated into German by Bode, was published at Hamburg in 1773. A Dutch translation of his second tour, with notes by J. W. Lustig, organist at Groningen, was published there in 1786. The Dissertation on the Music of the Ancients, in the first volume of Burney's History, was translated into German by Johann Joachim Eschenburg, and printed at Leipzig, 1781. Burney derived much aid from the first two volumes of Padre Martini's very learned Storia della Musica (Bologna, 1757–1770). In 1774 he had written A Plan for a Music School. In 1779 he wrote for the Royal Society an account of the young William Crotch, whose remarkable musical talent excited so much attention at that time. In 1784 he published, with an Italian title page, the music annually performed in the Pope's chapel at Rome during Passion Week. In 1785 he published, for the benefit of the Musical Fund, an account of the first commemoration of George Friedrich Handel in Westminster Abbey in the preceding year, with a life of Handel. In 1796 he published Memoirs and Letters of Metastasio.
Towards the close of his life Burney was paid £1000 for contributing to Rees's Cyclopædia all the musical articles not belonging to the department of natural philosophy and mathematics. The latter were written by John Farey, Sr. Burney's contribution to Rees included much new material which had not appeared in his earlier writings, particularly about the London music scene then. In 1783, through the treasury influence of his friend Edmund Burke, he was appointed organist to the chapel of Chelsea Hospital. He moved there from St Martin's Street, Leicester Square and remained there for the rest of his life. In 1810, he was made a member of the Institute of France and nominated a correspondent in the class of the fine arts. From 1806 until his death he enjoyed a pension of £300 granted by Charles James Fox. He died at Chelsea College on 12 April 1814, and was interred in the burial ground of the college. A tablet was erected to his memory in Westminster Abbey. He was the father of the writers Frances Burney and Sarah Burney, the explorer James Burney, and Charles Burney, classicist and book donor to the British Museum. Burney's own library was sold at auction by John White of Westminster beginning on 8 August 1814.
Burney's portrait was painted by Reynolds in 1781 for Henry Thrale's library. His bust was cut by Nollekens in 1805. He also appears in James Barry's The Thames (also known as Triumph of Navigation), which was painted in 1791 for the Royal Society of Arts. He had a wide circle of acquaintance among the distinguished artists and literary men of his day. At one time he thought of writing a life of his friend Dr Samuel Johnson, but retired before the crowd of biographers who rushed into that field.
Burney's eldest son, James Burney, was a distinguished officer in the Royal Navy, who died a rear-admiral in 1821, having accompanied Captain Cook on his last two voyages. His second son was the Rev. Charles Burney, a major donor of books to the British Museum. and his second daughter was Frances or Fanny, the novelist, later Madame D'Arblay. Her published diary and letters contain many minute and interesting particulars of her father's public and private life, and of his friends and contemporaries, including his initial opposition to her marriage to the French refugee Alexandre D'Arblay in 1793 and to her sister Charlotte's remarriage to the pamphleteer and stock jobber Ralph Broome in 1798.] A life of Burney was compiled by Madame D'Arblay and appeared in 1832, but it has been criticized consistently for being eulogistic. His daughter by his second marriage, Sarah Burney, was likewise a novelist. Her letters provide interesting, less adulatory information about her father. Although Sarah looked after him in his old age, their personal relations remained poor.
Dr Johnson drew inspiration from The Present State of Music in France and Italy (1771), according to later writers: "Dr. Burney published an account of his tour... which was extremely well received, and deemed by the best judges so good a model for travellers who were inclined to give a description of what they had seen or observed, that Dr. Johnson professedly imitated it in his own Tour of the Hebrides, saying, 'I had that clever dog Burney's Musical Tour in my eye.'"
Burney appears in a story by Lillian de la Torre (Lillian Bueno McCue, 1902–1993), a US writer of historical mysteries, entitled "The Viotti Stradivarius", part of her series featuring Samuel Johnson as a "detector" (detective). The story features a fictitious meeting between Burney, his daughter Fanny, Giovanni Battista Viotti and his Stradivarius, and Grigory Grigoryevich Orlov, along with Johnson and James Boswell, in connection with the theft and recovery of the Orlov diamond.
An Essay towards a History of Comets that have appeared since the year 1742..., London, 1769 The Present State of Music in France and Italy..., London, London, 1771 The Present State of Music in Germany, the Netherlands, and the United Provinces..., London, 1773 Modern editions Dr Burney's Continental Travels, 1770–1772, ed. C. H. Glover, 1927 Dr Burney's Musical Tours in Europe, ed. P. A. Scholes, Oxford, 2 vols, 1959 Music, Men, And Manners in France and Italy, 1770, ed., from the original manuscript by H. Edmund Poole, London, 1969 A General History of Music, London, Vol. 1, 1776; Vol. 2, 1782; Vols 3/4, 1789 Modern edition A General History of Music... by Charles Burney, ed. Frank Mercer, 2 vols, London, 1935, reprint New York, 1957 Account of an Infant Musician [William Crotch] London, 1779 Account of Mademoiselle Theresa Paradis, of Vienna... London, 1785 An account of the Musical Performances in Westminster Abbey... In Commemoration of Handel, London, 1785 Numerous book reviews in the Monthly Review, London, 1785–1802  Verses on the Arrival in England of the Great Musician Haydn, London, 1791 Memoirs of the Life and Writings of the Abate Metastasio... London, 3 vols, 1796 Hymn for the Emperor. Composed by Doctor Haydn, translated by Burney, London, 1799 Numerous musical articles for Rees's Cyclopaedia c. 1801–08, published 1802–19 Charles Burney's papers After his death in 1814, Burney's daughter, Frances, destroyed many manuscripts, including his journals, or obliterated passages in others. Those that survive have become widely scattered: they may be found in the Osborn Collection at Yale University, the Berg Collection at New York Public Library, the British Library and the Bodleian Library, Oxford, as well as smaller public and private collections. (See Roger Lonsdale, Dr Charles Burney, a Literary Biography, Oxford 1965 pp 495–497). For many years the Burney Centre at McGill University, Toronto, Canada, has been publishing the papers of the Burney Family, including those of Charles and his daughter, the novelist and diarist Fanny Burney.
The Letters of Dr Charles Burney (1751–1814) General Editor: Peter Sabor
A scholarly edition of the Letters of Dr Charles Burney is being published in six volumes by Oxford University Press:
Vol 1 1751–1784 edited by Alvaro Ribeiro, SJ, ISBN 0-19-812687-5 Vol 2 1785–1793 (forthcoming) edited by Lorna Clark Vol 3 1794–1800 (forthcoming) edited by Stewart Cooke Vol 4 1801–1806 (forthcoming) edited by Stewart Cooke Vol 5 1807–1809 (forthcoming) edited by Nancy Johnson Vol 5 1810–1814 (forthcoming) edited by Peter Sabor External links Burney Centre at McGill University Wikiquote has quotations related to: Charles Burney Wikisource has original works written by or about: Charles Burney Wikimedia Commons has media related to Charles Burney. Works by or about Charles Burney at Internet Archive Works by Charles Burney at LibriVox (public domain audiobooks) Hester Thrale's account of Charles Burney "Archival material relating to Charles Burney". UK National Archives. Edit this at Wikidata Charles Burney at the National Portrait Gallery, London Free scores by Charles Burney at the International Music Score Library Project (IMSLP) Authority control Edit this at Wikidata WorldCat Identities BNE: XX833122 BNF: cb12211692c (data) GND: 118665340 ISNI: 0000 0001 1844 6834 LCCN: n50032067 NDL: 01209022 NKC: jn20030911008 NLA: 35023961 SELIBR: 240190 SNAC: w6tf0374 SUDOC: 030981662 VIAF: 15109973 Lonsdale, Roger, 'Dr Burney and the Monthly Review ', Review of English Studies, xiv (1963), 346-48 and xv (1964), 27-37. See Introduction to Salva Klima, Garry Bowers & Kerry S. Grant, Memoirs of Dr Charles Burney, 1726–1869, University of Nebraska Press, 1988. Categories: 1726 births1814 deathsMem
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