On her return to Victoria in 1912, Emily began documenting the material culture of British Columbia's First Nations in her work. That summer she travelled north to Haida Gwaii and spent six weeks sketching and painting totem poles, houses and masks. The coastal rainforests provided material for a second lifelong theme of her painting career.  Her biographer, Maria Tippett, wrote: "Emily Carr's perception of our forest landscape has implanted itself in the imagination of British Columbians. Indeed, all Canadians who have seen her work will have had their impressions of the B.C. forest and the natives who inhabited it influenced by her vision."
At the first exhibit of Emily Carr's paintings in London, England, in 2014, Laura Cumming of the Guardian said, "If ever there was a heroine of true grit in the history of art it was Emily Carr, a painter of such singular strength and beauty it is almost impossible to believe that the revelatory exhibition at Dulwich Picture Gallery is her first in this country. Carr’s landscapes of the high skies, wild bays and deep forests of the Pacific west coast of Canada – whispering with sound, radiant with inner movement and mysterious light – are as exhilarating as the places they represent."
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On 28 Mar 2015 at 19:49 GMT Laurie Cruthers wrote:
Emily is 22 degrees from Robin Helstrom, 26 degrees from Katy Jurado and 18 degrees from Victoria of the United Kingdom of Great Britain and Ireland on our single family tree. Login to find your connection.