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Joseph Harding, of Finchley and Pall Mall, Westminster, noted print collector, publisher, printer and bookseller.
He was b. St James’s, Westminster, Middlesex, 26 Jun 1783, bapt. St James’s, 21 July; receives £2,000 under his father’s will, 1808; m. (resident at St Luke’s, Old St., Middlesex) at Finchley St Mary, 8 Dec 1819 (bond 30 Nov) Sarah Webb (b. New York, US, c. 1800; living Finchley, 1841; d. Norwood, Surrey, 13 May 1862; will resworn Principal Registry, 17 June 1862, at under £2,000 by the oath of Edward Harding, nephew, of Ryder St., St James’s, one of the executors), living with her unm. dau. Emily at Marine Parade, Brighton 1861; she was dau. of Joseph Dudley Webb, of Cross St., Islington, merchant and stockbroker (b. Maryborough, Queen’s Co., Ireland, 1 Sept 1771; d. 16 Felix Terrace, Islington, 6 Feb 1844, bur. Highgate)[1] by his wife Harriet Caroline Hill (d. Islington, 11 Jan 1844, bur. Highgate, 18 Jan), dau. of Abel Hill, of Bray, co. Wicklow, Ireland.
Harding joined the firm of Lackington, Allen & Co., of Finsbury Square (‘The Temple of the Muses’), publishers and booksellers (at the time considered to operate the biggest bookshop in the world), of which he became partner 1813, and after participating in a succession of partnerships he became chief partner on the retirement of Geo. Lackington[2] in 1826, moving to 4 Pall Mall East and trading under the name of Harding & Lepard.[3] He gave evidence to Committee of House of Commons on the Copyright Act, Apr-May 1818. Books co-published under his imprint included Mary Shelley’s Frankenstein 1818, Lodge’s Portraits of Illustrious Personages, Wood’s Athenae Oxonienses and Dugdale’s Monasticon.[4]
"A ‘shrewd clever man of business’, Harding ‘obtained a great fortune by successful speculations in works by subscription’, in particular Edmund Lodge’s Portraits. In 1834 Harding fell out with his partner John Lepard over Harding’s accusation that Lepard attempted to issue, without Harding’s co-operation, a cheap edition of the Portraits, a charge Lepard denied."[5]
Harding was a noted collector and connoisseur of prints and engravings, with many opportunities to buy at the famous auctions of the 1830s. He purchased the Roxburghe Ballads in 1812 for £477.[6][7][8] Following the sale of part of his collection to the dealers, William & George Smith of 24 Lisle St., after his stroke in 1841, they sold 231 of his prints to the British Museum In London.[9] There was a dispersal sale of his prints at Christie’s on 18 June 1862 after his death, when the British Museum made further purchases. Today many of his 'superb' prints, including 21 Rembrandts, are retained in the national collection.[10][11]
Joseph Harding retired with ‘a very handsome fortune’ in 1836.[12] He was ‘attacked by apoplexy and paralysis’ on 1 June, 1841, and continuing ‘helpless and hopeless’,[13] he d. East End, Finchley, Middlesex, on 19 Dec 1843, aged 60 (bur. Finchley churchyard, 27 Dec), will dated 7 July 1841 in National Archives (PCC 11/1991/241), pr. 3 Jan 1844 by Sir Henry Ellis, Rev. Dr Bliss and his nephew Benjamin Harding, executors.
"In addition to his wife, Sarah, a daughter of Joseph Webb and Harriett (Hill) Webb of Liverpool and London, and his nephew, Benjamin, Harding named as his executors Sir Henry Ellis, librarian at the British Museum, and the Revd Philip Bliss, registrar of Oxford University. He directed that money for the purchase of mourning rings be given to his partner George Lackington and to his friends the Revd Bulkeley Bandinel, librarian of the Bodleian, and Robert Gunter, MP for Yorkshire. Ellis and Bandinel edited Harding’s expensive editions of Dugdale's Monasticon and History of St Paul’s Cathedral. Harding published Bliss’s edition of Anthony Wood’s Athenae Oxonienses."[14]
Portrait likeness by William Derby, illustrated.
He left issue 3 sons and 2 daus:
Cited from Nicholas Mander, Borromean Rings, op. cit.
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"A ‘shrewed clever man of business’, Harding ‘obtained a great fortune by successful speculations in works by subscription’, in particular Edmund Lodge’s Portraits. In 1834 Harding fell out with his partner John Lepard over Harding’s accusation that Lepard attempted to issue, without Harding’s co-operation, a cheap edition of the Portraits, a charge Lepard denied (Portraits, vol. 1, p. 15)."
"In addition to his wife, Sarah, a daughter of Joseph Webb and Harriett (Hill) Webb of Liverpool and London, and his nephew, Benjamin, Harding named as his executors Sir Henry Ellis, librarian at the British Museum, and the Revd Philip Bliss, registrar of Oxford University. He directed that money for the purchase of mourning rings be given to his partner George Lackington and to his friends the Revd Bulkeley Bandinel, librarian of the Bodleian, and Robert Gunter, MP for Yorkshire. Ellis and Bandinel edited Harding’s expensive editions of Dugdale's Monasticon and History of St Paul’s Cathedral. Harding published Bliss’s edition of Anthony Wood’s Athenae Oxonienses."